Beverley Ann Kammer Feder was born in Niagara Falls, New York. As a child she lived in Niagara Falls, Ontario. She received twenty years of ballet training at the Spear School of Ballet Arts and the National Ballet School of Canada.
Beverley Ann is married to Dr. H. William Feder and together they have raised three children: Colleen, Kevin, and Cara. They also have four grandchildren: Matthew, Zachary, Kelsey, and Gabriella.
Mrs. Feder is the owner and principle instructor of the Feder School of Classical Ballet in Niagara Falls, New York and Ontario. Under the direction of her long-time teacher, Jean Spear, Mrs. Feder earned a Licentiate Teachers Certification in Sarasota Florida. She also has earned an Advanced Certificate in Lillishall, England. In 1994, Mrs. Feder was awarded the distinction of “fellow” of the Imperial Society of Teachers of Dance from London, England.
In addition to the numerous accomplishments of Mrs. Feder’s career, she recently presented a demonstration of the Cecchetti Syllabi for a teacher’s training session at Etobicoke in Toronto. Mrs. Feder also teaches for the Cecchetti Day at the National Ballet School in Toronto. Last summer, Mrs. Feder taught the opening class for the Cecchetti Society Summer School in Sarasota Florida.
“The Love of Dance – The Beverley Feder Story”, a video written and produced by John Takacs, is a well-deserved tribute to a woman whose life-long dedication to the art of ballet founded the Greater Niagara Ballet Company (formerly known as the Niagara Civic Ballet) over thirty years ago. The production was sponsored by a grant from the Niagara Council of the Arts. Mrs. Feder is grateful for the community support in past years and states that her experience with the Greater Niagara Ballet Company has been extremely rewarding. “I would like to see our company continue to be a leader for quality ballet”.
The Patchwork Theater was created in 2014 by indie rock band members of Billy Draws Two, Billy Horn, Rosie Lorenti and Doug Life. Our goal is to bring high quality live performances to the stage, from original, premiere works to established and popular shows, to never before seen concepts all while maintaining the same indie/ punk rock attitude brought to the table by our founders.
GET TICKETS TO SHOWS at http://www.patchworkniagara.brownpapertickets.com
Caedyn Metz is an emerging artist best known for her captivating paintings featuring the Niagara landscape. Primarily an oil painter, trained by impressionist master Ylli Haruni, Caedyn spends much of her time exploring and painting en plien air with the Niagara Painters. She also shares her love of community and fine art in doing large scale street murals in chalk or acrylic at local and international festivals.
“Hand-crafted artisan jewelry mafe right her in Western New York for the BfloGAL in all of us!” Designer, Christine Wittmann strives to incorporate the work of fellow Buffalo Artists in bfloGALS designs. Inquire about our classes!
Offering Classes in:
Leather Cord Design
Comprehensive Jewelry Design
*Offered through partnership with Shaun Silverwood
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5 HOUR PRE – LICENSING COURSE
1201 Pine Ave at NACC (Old High School at Portage Rd)
Use red door from Portage – Room 120
Saturday: Weekly, 3:30 PM by Appointment
Sunday: Monthly, 9:00 AM by Appointment
Experience Niagara Falls, NY, USA the way it was intended with Niagara Falls’ premeir ecotour company, Niagara Pedicab.
Niagara Pedicab brings a personal tour to a whole new level. We are more than just a tour company. We like to think of ourselves as a concierge service on wheels. With personal attention and the unique experience of riding on a pedicab, Niagara Pedicab offers the greatest quality tour in Niagara Falls, NY.
While primarily a painter, I often combine painting with other media. At the heart of this work is the process of synthesis, a “putting or placing of things together.” The combining of disparate ideas and media that interact together to create new relationships and perspectives intrigue me.
I focus on the figure in order to address fundamental and contemporary human concerns; birth, suffering, innocence, vulnerability, technology dependence, economic disparity, aging and death. My work is highly influenced by my years working in human services. I freely employ and re-contextualize Judeo-Christian imagery, though I do not intend these images to be primarily religious in nature. I desire to create work that is conceptual as well as humanist, critical as well as aesthetic.